Erica Hesse brought to life our vision to commemorate The Sexy Armpit’s 10th birthday in a vivid, epic work of art. In my interview with her, we get an in-depth look at her creative approach, her influences, her favorite comics and horror movies, and growing up in New Jersey.
SA: I’ve had this idea for a commission from you in my head for quite a long time and it’s finally come to fruition and it’s very exciting. Since I’m not an artist, how does it feel knowing that you’ve created the exact piece of art that I had in my head?
EH: It’s pretty rewarding, as an artist you can only hope you can bring every idea to life that the person has- and be able to do it justice. Especially when the client has original ideas and thoughts and you want to be able to convey what they are thinking. I think it helps in this case, a lot of the subject matter I’m familiar with and a fan of. So it made it that much easier to interpret and have fun with!
I’m glad you had some fun with this project! Do you prefer to create a piece of art directly from your imagination or do you like having more of a direction such as in commission work?
I like doing both to be honest. Doing art straight from my imagination is therapeutic and freeing. I can do whatever I would like with no one to tell me any different. But I do like commission work too, because it keeps me on the straight and narrow and gives me a sense of direction. I learn a lot from each commission and it gives me a new perspective on how to solve or approach each new piece of art. I find that a lot of commission work I get the clients usually have a lot of imagination and creativity, some things that I wouldn’t think of doing. So it’s refreshing, challenging, and fun to do these pieces of art, subject matter that is “outside of the box” for me. There is this one project I’ve been working on with a writer for a while now, about a year or so. It’s completely different than what I’m used to illustrating, it’s really creative and thought provoking. The story is pretty amazing and we have a great working relationship. He has a great imagination and has a clear vision of what he wants, and that’s exciting. I welcome other people’s ideas and thoughts when it comes to art, I think a large part of it is due to the some of the training I had. I worked for a company before where I had a lot of art direction and creativity within a team. I welcome that because in some cases you only become better at what you do.
Can you briefly tell us about the process you went through to create this piece? You incorporate traditional and digital art, right?
Sure! You’re right I did incorporate traditional and digital art for this piece of art. Every artist has a different way of approaching a new piece of art, I feel I kind of do things unorthodox as far as my approach in laying out the composition. I usually sketch/pencil in the main characters first, trying to capture a feel for them, then build up the background and elements around them. I usually do two different concepts and email them to the client to see if I’m heading in the right direction concerning their ideas. If it’s approved I then go back and print out the rough concept, lightbox the rough onto a piece of heavy bristol paper and start working on the final pencils. The final pencils is a tighter and more clean version of the rough concept. From there I ink over my pencils with a brush. I typically use a Pentel Pocket Brush Pen or a Windsor and Newton watercolor brush. All depending on the look I need to achieve. When the inks are done, I erase any remaining pencil lines and it’s ready to be scanned and digitally painted. Once I have the line art scanned in and cleaned up, I started blocking in loose colors using Photoshop and my Wacom tablet. From there it’s a lot of playing around with colors and determining if any small details in the composition need to be changed. Colors, for me, I find at times to be challenging, I like them to be heavily saturated and have a certain “pop” to them. I work best when I’m working on a piece of art and walk away from it for a day or so, that way I have a fresh eye when I look at it again. Sometimes it changes everything.
And that POP is certainly distinct in the final piece! How do you feel about it? Is there an aspect of it you think is exceptional?
I was a bit concerned as I first started digitally coloring the art and how I was going to make it all work with each other. Honestly I think every artist has that thought when they approach a piece of art, the gears are constantly turning and asking yourself “How am I going to make this work?” But as the piece progressed I was pretty happy on how it was turning out, I really love it.
The parts of the art I think are exceptional are how a lot of pop culture references are sprinkled throughout the art, from the He-Man sword to the Toxic Avenger-like waste barrels, the art is one big fun New Jersey pop culture piece. I love adding the little elements in there that perhaps only people from New Jersey would get. I honestly could have added more, but didn’t want to take away from the main focal point, which is the characters. l do have to say I did add a little personal touch in the art. The license plate on the beach is one number/letter off of my own old license plate I had for years.
Ha! That’s awesome. A little Easter Egg hidden in there! I love it. Switching gears, I’ve always been a huge fan of pinup culture. When did you realize you were in love with pinup style art? Is it something you realized you excelled at and just continued to do or is it legitimately your favorite style to create?
I think pinup style art has been part of me since I was a kid, it was somehow always around me in some shape or form. A lot of the comics I read growing up had a “pinup” aspect to the art, Archie’s Betty and Veronica, Katy Keene, Millie the Model, Sabrina the Teenage Witch all had an impression on me growing up. I didn’t actually discover pinup (in the form of photography and art) until years later. I knew this guy and he had this calendar of Pinup art, I believe it was by Olivia. I remember the image for that month, the woman was a brunette and had on a white man’s dress shirt and it looked innocent and incredibly sexy at the same time. And it wasn’t a photograph, it was a painting! I wasn’t drawing for a few years around that time, that image resonated with me and was in the back of my head. Fast forward some years later I was introduced to Bettie Page and was intrigued by her. I was at a point in my life where it seemed pinup art was always reaching out to me, calling to me and I finally made the leap. I guess you can say it’s been a slow steady progression.
I don’t know if pinup art was something I thought I excelled at, it’s definitely a form of art I enjoy doing. Some people liked drawing animals or wildlife scenery, for example. I like illustrating those things too, but I’m always drawn back to illustrating women. I’ve always been drawn to the female figure and consider it to be one of the most beautiful forms in nature. It’s a form of expression, an extension of myself if that makes sense.
Well, we think you definitely excel at it! As an added bonus, much of your subject matter incorporates comic art, horror, burlesque – which just so happen to be things that I am heavy into. Your piece Roller Bride of Frankenstein really seems to sum up the stuff you enjoy. With that said, can you share with us your favorite horror movies and comic books?
Ooh yes! Ha, I sure can! My favorites change here and there, but here’s what’s on top of my head at the moment. For horror movies, I love a lot of the classics. All of the classic monster movies, Bride of Frankenstein,Frankenstein, The Wolfman, The Mummy. I love Night of the Living Dead, White Zombie, Dawn of the Dead, Fright Night…I could go on and on! Fan of the first few Nightmare on Elm Street movies. For newer horror movies, none stick to the top of my head at the moment. I did recently see the remake of Evil Dead. While it was good, nothing beats the original.
For comic books, I’m currently liking/reading Brian Wood’s X-Men, The Strange Talent of Luther Strode, and the new Harley Quinn series by Palmiotti. Other favorites include Linsner’s Lucifer’s Halo, Terry Moore’s Strangers in Paradise, Wonder Woman, Witchblade and The Walking Dead series. I usually go for comics with strong and interesting women in them. Or if they have zombies.
Zombies are always a plus. I’m enjoying the new Harley Quinn series as well. Also on the DC front, what are your thoughts on the promo photo of Gal Gadot as Wonder Woman from Batman v. Superman?
I thought the promo shot looked good, but kind of holding back my opinions until I see the movie. There’s a lot of thoughts and concerns that are rambling around in my head but I know that will probably change once I see the movie.
Can you tell us some of your artistic influences?
I kind of have a mash up of people, art, or artists that I’m inspired by. In no particular order: Gil Elvgren, George Petty, Alberto Vargas, Alphonse Mucha, Dan De Carlo, Stan Goldberg, Linsner, Coop, R. Black, Bettie Page, Rita Hayworth, Dita, Mosh…to name a few. Tara McPherson and Tokidoki are big for me in the Designer Vinyl Toy World.
I’m a big fan of Vargas, De Carlo, and Miss Mosh as well. How about influence from your ? Were you born and raised in New Jersey? Growing up, tell us some of the places your frequented or fond memories you have from living here.
Oh heck yes. Born and raised here in good ol’ South Jersey. A lot of the memories I have growing up is where I used to live, in Egg Harbor City. I spent a lot of my time in the Don and Tom’s Newspaper store and the local Ben Franklin five and dime. Mostly buying comics and plotting which Barbie doll was going to be added next in my collection. I had a huge Barbie doll collection. It’s funny, I was never allowed to leave them naked (undressed) they always had to be fully clothed. I had a few Ken dolls but they were boring to me. I used to “borrow” my brother’s G.I. Joe dolls and make them Barbie’s boyfriend. The guy had flocked hair, how can Ken compete with that? I think I even somehow managed to make my brother’s 18-inch Alien figure Barbie’s boyfriend too. Barbie had great taste.
As far as places I checked out, I would say Ocean City was the top of the list. To me it was the “place to go” it had a little bit of everything. It had the boardwalk, ice cream, the beach, the Boardwalk Mall and of course boys. I was a bit of a boy crazy nut then. But what teen wasn’t? Of course I was rarely on the beach, I was always wanting to hop on the water slides or stuff my face with boardwalk pizza. Man, I loved that. And I used to tan, A LOT. So glad I gave that up…eventually, ha. Now I’m as “un-beachy” as you can get. The only tan I get anymore is a driver’s tan.
Same. I get as much tan as David the vampire from The Lost Boys. Similarly, I used to take my sisters Barbie dolls to have my GI Joes mingle with them on her party boat. It was a blast. So, what’s on the horizon for Erica Hesse? Are there any upcoming projects or comic shows you’d like to mention?
I’ve been keeping busy with quite a few sketch cards projects this year. Some are currently out right now. I did a few exclusive sketch cards for Zenescope’s Oz and Grimm Fairy Tales for San Diego Comic Con. I also did some cards for Chaos and the Women of Dynamite which were only available at the San Diego Comic Con as well. I have some more sketch card sets in the works but can’t mention them really until they are talked about in the press or been released. I’ve been kind of laying low on the comic con scene (which is really hard) this year due to commission work and the day job. I also made a point not to do any shows this year because I really, really want to jump back on some things I’ve been putting off. As much as I LOVE drawing pinups, I’m really itching to work on some sequentials/comics! Don’t get me wrong, I’m still working on pinups, but I just want to develop some ideas that have been in my head the past few years. These stories are dying to come out. I’ll be sure to talk about them when the time is right. To keep up to date on any news you can follow me on www.hesse-art.com or my Facebook page over at www.facebook.com/TheArtofEricaHesse.
We’ll be on the lookout! As we wrap up, being a fan of your work, I’ve read that you’ve really made your own way. You practiced hard to become a great artist and carved a space for yourself via Internet/social media as well as setting up at shows such as Wizard World to sell your prints. It’s very inspirational, so if you could leave us with some sort of motivational wisdom that might apply to anyone, not just artists, no matter how cheesy it might be, that would be awesome!
I guess the only thing I can say is do what you love. You’re going to get criticism and feedback on no matter what you do, just take it all in stride and grow from it- don’t let it affect you negatively. Do the best that you can do. Don’t worry about what this person is doing or how successful that person is, that’s a total mind killer. No art would ever get accomplished if we constantly compared or doubted ourselves.
Excellent advice Erica and thanks for the interview! The new Sexy Armpit artwork KICKS ASS!
Erica obviously has our full endorsement, so check out some of her art here:
To the Gideon Yagos and the Sways of the world: You will never be Kurt Loder. Ocean City, New Jersey’s own Kurt Loder might have had a bland, straight down the middle delivery when breaking in between commercials with his MTV News brief, but he’s still the most authoritative news anchor MTV has had. If there was an important event going on in the music industry, I used to feel comfort in hearing it from the droll Kurt Loder.
The guys and girls who came after the likes of Kurt Loder, John Norris, Chris Connelly, and Tabitha Soren, totally missed the point. To be a cool broadcast journalist on MTV you shouldn’t try to be cool, and you shouldn’t try to be uncool. Loder didn’t try, he just seemed like he was always on a mission to bring us all accurate, unbiased music news. With U.S Army experience and a serious journalism career under his belt, Kurt Loder has become one of the most reputable music authorities in the world. And he was in the first scene of Blair Witch 2 which is pretty badass in my book.